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The Traveling Plant: Preparatory Logbook

People were asked, in a caring hosting tradition, to tell the plant what it could expect to experience and to discover along its journey, what and whom (humans and other than humans) it may encounter. Choose a contributor in the menu (v) or browse by following the arrows < >

Michael Marder

Like a flower of the skin

Vitoria-Gasteiz, Spain
Ikerbasque Research Professor of Philosophy, University of the Basque Country (UPV/EHU)

To you, orchid, I whisper: “Like a flower of the skin.” I graft this expression onto English from other, Romance languages. À fleur de peau, a flor de piel, à flor da pele. I graft it, also, like a flower onto the skin—a plant part onto an animal or a human organ.

One of its possible English renditions is “skin-deep,” that is, not deep at all, situated right on the surface, essentially superficial. An exteriority that is sensitive and sensuous, emotional and passionate: being on edge, easily set off by any little thing, but also being super-delicate, awash in raw sentiment.

If you experience the world à fleur de peau, its stimuli impressed on the outermost casing of an outermost organ, then you exhibit a heightened attunement to your environment. Like flowers with their skin.

I am running out of space, of words, of air, of breath. A parting provocation, then. Try not only to live but also to think “like a flower of the skin”! How is this possible? You, orchid, know it much better than I do. There is no set answer, save for a continual practice of honing the sensitivity of thought, grazed on its surface by…

Partners

The Traveling Plant is a collective project created in 2020 by Annick Bureaud, Tatiana Kourochkina, Marta de Menezes, Claudia Schnugg and Robertina Šebjanič, and further developed with the following seed organisations Leonardo/Olats (Paris), Quo Artis (Barcelona and Treviso), Cultivamos Cultura (Lisbon), Sektor Institute (Ljubljana) and the initial support of the Daniel and Nina Carasso Foundation.