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The Traveling Plant: Preparatory Logbook

People were asked, in a caring hosting tradition, to tell the plant what it could expect to experience and to discover along its journey, what and whom (humans and other than humans) it may encounter. Choose a contributor in the menu (v) or browse by following the arrows < >

Miranda Moss

The Alien Colony | A time-travelling warning for senecio inaequidens

Cape Town, South Africa
Artist

Before the Europeans steal the uKhahlamba, your names are inkwandlankwandlane, inkondlonkondlwane, impondlampondla, isonki. To maximise colonial exploitation in the area, your habitat will be converted into grazing land for sheep. The wool industry in Europe will boom. Your wafting achenes will get lodged and camouflaged in sheep wool, and sent to factories in Europe to be processed into textiles, where you will germinate.

You become the instigator of much taxonomic confusion, and will be incorrectly identified, often. Eventually the European Scientists settle on the name senecio inaequidens. Around the year 2000, your new homes will be noticeably warmer, making it more comfortable to flourish. You will be branded a neophyte; an alien from the New World. By 2010, you will be considered an Invasive Alien, who has effectively colonised the European Landscape.

The environmental warmth which has aided your opportunistic proliferation, they say, is due to the crude waste from the violent culture of Western Industrialisation – the same culture which brought you here. The Europeans are very concerned about this warming, but seem to have forgotten the violence you have seen and of which you have become a trace. Hang in there; we will need you as a witness.

Partners

The Traveling Plant is a collective project created in 2020 by Annick Bureaud, Tatiana Kourochkina, Marta de Menezes, Claudia Schnugg and Robertina Šebjanič, and further developed with the following seed organisations Leonardo/Olats (Paris), Quo Artis (Barcelona and Treviso), Cultivamos Cultura (Lisbon), Sektor Institute (Ljubljana) and the initial support of the Daniel and Nina Carasso Foundation.